In a bold move, Isaac Hayes III, the founder of the social media platform Fanbase, has taken legal action against former President Donald Trump.
The lawsuit stems from allegations that Trump has been using Hayes’ song “Hold On, I’m Coming” without authorization.
Recently, Hayes revealed that he received confirmation from BMI, the music rights organization, stating that Trump has not held a license for the song for some time.
This legal battle is set to unfold in court on September 3rd, and Hayes is ready to let the facts speak for themselves.
Hayes expressed his frustration over the misinformation circulating on social media, particularly among Trump supporters who claim he has the right to use the song.
It’s quite astonishing how many self-proclaimed copyright experts have emerged online, especially during this heated political climate.
The reality is that copyright law is straightforward, and Hayes has been vocal about these issues for two decades.
Despite the noise from detractors, he remains firm in his belief that the law is clear-cut.
As Hayes navigates this legal challenge, he also finds himself at the forefront of political discussions.
On Fanbase, users are actively engaging in conversations about key political figures like Vice President Kamala Harris and Governor Tim Walz.
This increased dialogue has energized the community, leading to the launch of a new feature on the platform.
Audio rooms are now accessible via the web, allowing users to listen to discussions like podcasts, enhancing the overall user experience.
The new functionality aligns perfectly with Fanbase’s mission to promote free speech and open dialogue.
Hayes emphasized the importance of providing users with a platform where they can express their thoughts without limitations.
He believes that fostering an environment of unrestricted communication is essential in today’s digital landscape.
In addition to expanding the platform’s capabilities, Hayes recently announced a move to a new headquarters in West Midtown, Atlanta.
This transition marks a significant step for Fanbase as it seeks to create a collaborative tech space.
The new location will allow for partnerships with other startups and institutions, including Georgia Tech, which will host a podcast studio in collaboration with Fanbase.
On the fundraising front, Hayes shared that Fanbase has made impressive strides.
The company has successfully raised $10 million through several crowdfunding campaigns and is currently seeking an additional $17 million.
With over $2 million already secured, Hayes is enthusiastic about the potential for further investment, inviting individuals to become stakeholders in the platform before it goes public.
He highlighted the importance of community support, particularly for Black startup founders who often face challenges in securing funding.
Hayes is determined to leverage this opportunity to connect with potential investors and emphasize the significance of owning a piece of a platform that champions Black voices and narratives.
The momentum behind Fanbase is palpable, with Hayes expressing excitement about the future.
He mentioned plans for an “invest-a-thon,” a unique initiative aimed at rallying support and raising funds for the platform.
This event would bring together influential figures to promote investment in Black-owned media and technology, underscoring the need for equitable representation in the digital space.
Hayes is passionate about empowering the Black community through media ownership.
He believes that to tell their own stories authentically, individuals must invest in platforms that prioritize their voices.
This grassroots movement aims to shift the narrative, allowing Black creators to control their content and share it with the world.
As the legal battle against Trump looms and Fanbase continues to grow, Hayes remains committed to his mission.
He understands the importance of representation and the need for Black voices in media.
By encouraging investment in Black-owned platforms, Hayes hopes to build a future where stories are told by those who live them.
In a world where narratives are often shaped by external forces, Hayes’ efforts represent a powerful shift towards self-determination.
He invites others to join him in this journey, emphasizing that every dollar invested in Black media contributes to a larger movement for equity and representation.
The time for change is now, and Hayes is leading the charge.
