Lauren Bacall and Humphrey Bogart's iconic romance is hailed as one of Tinseltown's greatest love stories, but their journey was not always smooth sailing.
To provide an authentic account of their marriage, Mann interviewed insiders and gained access to previously unseen documents.
Bacall, one of the last remaining stars from Hollywood's golden era, passed away in 2014 at the age of 89.
Mann explained that they had their fair share of differences, particularly in the early stages when Bacall was striving to establish herself as more than just Mrs. Bogart.
Although their relationship was loving and committed, it was not always emotionally faithful.
The fashion model Bacall moved from New York to Hollywood at the tender age of 19.
Her breakthrough came in 1944 with her memorable line in her first film, “To Have and Have Not.”
Leaving Bogart's hotel room, she famously purred, “You know how to whistle, don't you, Steve?
You just put your lips together and blow.”
Bogart, who was married to his third wife, actress Mayo Methot, became Bacall's lover off-screen.
He was 25 years her senior.
According to Mann, Bogart became Bacall's protector and champion.
This sense of him needing to care for and shield her endeared her to him.
Their feelings swiftly evolved into love.
However, this burgeoning romance terrified Bacall.
The scandalous nature of their relationship could have potentially destroyed her budding career.
“It was known that Bogart's marriage was falling apart,” Mann revealed.
“They were referred to as the ‘Battling Bogarts.'
Bacall wanted to ensure that the public wouldn't blame her or see her as a femme fatale.
Bogie, too, was deeply concerned.
He didn't want to jeopardize his position in Hollywood, nor did he want to lose her.
In the beginning, there was a lot of apprehension, but their desire to be together was overwhelming.”
Bogart returned to Methot on several occasions before realizing that their marriage was beyond repair.
In 1945, he tied the knot with Bacall when he was 45 and she was 20.
Mann asserted that their marriage was soon put to the test.
In 1952, the couple became ardent supporters of Adlai Stevenson during the presidential election, with Stevenson running against Dwight D. Eisenhower.
“Bacall had always been a liberal Democrat,” Mann explained.
“Initially, Bogart favored Dwight Eisenhower, but eventually, he joined Stevenson's camp as well.
Bacall became incredibly involved in the campaign.
People who have participated in political campaigns understand the adrenaline rush associated with them.
It was an entirely new experience for her.
She believed she was serving a higher purpose, which made it even more significant for her than making a movie.”
“In her memoir, Bacall admitted, ‘I was far away from Bogie.
All I was thinking about was Stevenson,'” shared Mann.
“In Bogart's papers, I discovered notes to director John Huston where he expressed discomfort regarding his wife's infatuation with Stevenson.
The situation became very intense.”
Bacall wrote in her memoir, “At every speech from the beginning—every platform, breakfast, lunch—Stevenson would catch my eye and wave and smile at me.
To my fantasizing mind, he seemed so vulnerable.”
“Bogart came up with a humorous cartoon idea,” Bacall recalled.
“He envisioned himself standing at our front door, rain pouring heavily, with a child on each side.
My son, Stephen, would ask, ‘Daddy, where's Mommy?'
Bogart, looking sadly into the distance, would reply, ‘With Adlai.'
It was a comical concept that made me laugh, but Bogart knew that Stevenson had deeply affected me.
In fact, he himself was impacted.”
Mann insists that in his book, he reveals that Bacall and Stevenson grew close and were rarely apart, with Bogart relegated to the background.
He emphasizes that their relationship was never physical but was undoubtedly an affair of the heart.
“She loved Bogie,” Mann said.
“However, Stevenson awakened a part of her that she had never known before.
Their relationship continued until the end of the campaign.
Stevenson suffered a significant defeat, which devastated Bacall.
She attempted to maintain contact with him, but it became increasingly challenging.
Reflecting on it now, I believe she was more invested in him than he was in her.
Eventually, she realized this and withdrew.
Nevertheless, I think it was the most intense, emotional, and intellectually stimulating relationship of her life.”
In her memoir, Bacall vividly recounted the moment Stevenson lost.
“I adored Adlai Stevenson, I suppose I even worshipped him,” she wrote.
“He instilled that feeling in many—loyalty, adulation.
He brought out the best in me, or at least I thought he did.
He made me feel like I knew more than I actually did, that I was valued.
He broadened my horizons, made me more aware of human dignity and the plight of people everywhere.
Until Adlai Stevenson, I was a perfectly content woman with a husband whom I loved, a beautiful son and daughter, and not a care in the world.
His entrance into my life completely shook me.”
“In my usual manner, I romanticized,” she continued.
“He needed a wife, obviously… but he needed someone to share his life with.
I fantasized about being a long-distance partner—a pen pal—a good friend with whom he could freely discuss anything.
A sympathetic ear that would not judge.
It took me a long time to analyze my feelings, but at that moment, I experienced a combination of hero worship and slight infatuation.
This campaign had completely disrupted my life.”
Mann contends that Bogart also engaged in his own emotional affair.
“I had the privilege of speaking to Verita Thompson, Bogie's surviving partner,” Mann explained.
“She was a wigmaker in Hollywood who crafted Bogart's wigs due to his early hair loss.
They began an affair before Bacall, while he was still married to his third wife.
Their relationship was incredibly close and affectionate.
The age difference between them was not significant…
They both enjoyed drinking and were able to hold their liquor.
They shared a love for sailing and had many common interests.”
According to Mann, Thompson, who was also known as Vera, believed that Bogart would divorce Methot and propose to her because “they had discussed the idea of marriage.”
However, when he swiftly moved on to his much younger and glamorous co-star, Thompson was left “heartbroken.”
“They eventually reconnected,” Mann revealed.
“At that point, their relationship was likely emotional… As Bacall established her own world, life, and circle of friends—people like Adlai—Bogie increasingly turned to Verita.
They would sail together on his yacht… She became a part of the family in various ways.
Bacall was aware of her presence, although she never fully embraced it.
Nevertheless, Bacall recognized the significance of that relationship to Bogart.”
Mann adamantly stated that these emotional connections never threatened the primary bond between husband and wife.
Bacall and Bogart remained devoted to each
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