Sharon Stone recently shared a shocking revelation on “The Louis Theroux Podcast,” recounting an unsettling incident with producer Robert Evans during the filming of the 1993 thriller, “Sliver.”
In her candid discussion, Stone disclosed that Evans suggested she engage in a s–ual relationship with her co-star Billy Baldwin to enhance their on-screen chemistry and salvage the movie.
The film, directed by Phillip Noyce, follows Stone's character, a book editor who uncovers dark secrets within a luxurious New York City apartment building.
During a meeting with Evans, Stone recalled his peculiar advice, citing his own past experiences with Ava Gardner to justify his recommendation for Stone to sleep with Baldwin.
Evans believed that if Stone and Baldwin had a more intimate connection off-screen, it would translate into improved performances on-screen, thereby rescuing the film from potential failure.
Stone expressed her discomfort with his proposition, highlighting her reluctance and emphasizing that her professionalism should not be compromised for the sake of the movie's success.
Reflecting on the situation, Stone remarked that Evans perceived her as the obstacle to the film's progress due to her perceived uptight demeanor.
She revealed his misguided notion that her reserved nature hindered the performance dynamics, suggesting that engaging in a physical relationship with Baldwin was the solution.
Despite Evans' insistence, Stone stood firm in her refusal to comply with his unorthodox directive, asserting her commitment to her craft and rejecting the notion that her acting abilities hinged on personal relationships with co-stars.
In response to Stone's revelations, Billy Baldwin's representative has yet to offer a statement regarding the matter.
Baldwin himself addressed the issue indirectly on social media, questioning Stone's motives for revisiting this chapter from the past and alluding to undisclosed information about her.
Stone's account sheds light on the power dynamics and expectations prevalent in the entertainment industry, particularly concerning the objectification of actors and the conflation of personal relationships with professional performance.
At the time of filming “Sliver,” Stone found herself navigating the aftermath of her success in “Basic Instinct,” where she faced contrasting demands and pressures in her professional dealings.
Drawing a parallel between her experiences with Baldwin and Michael Douglas, Stone emphasized the disparities in expectations placed on male and female actors, highlighting the double standards and challenges she encountered in maintaining her integrity amidst industry pressures.
Robert Evans, the influential producer behind “Sliver” and other renowned films, passed away in 2019, leaving a legacy marked by his contributions to the cinematic landscape during the New Hollywood era.
While “Sliver” achieved moderate success at the box office, the controversy surrounding Stone's interactions with Evans underscores the complexities and ethical dilemmas inherent in the filmmaking process.
Stone previously documented the incident involving Evans in her memoir, “The Beauty of Living Twice,” underscoring her defiance against unjust demands and her commitment to upholding professional standards in the face of adversity.
Her unwavering stance against exploitation and harassment resonates with her broader advocacy for accountability and empowerment within the entertainment industry, where instances of misconduct and abuse continue to surface.
In recounting her encounters with influential figures like Evans and addressing past instances of harassment, Stone confronts the pervasive culture of abuse and manipulation that permeates Hollywood.
Her courage in speaking out against injustices and holding perpetrators accountable reflects a broader societal reckoning with power dynamics and systemic inequalities.
Stone's resilience and determination to challenge oppressive norms serve as a testament to her unwavering commitment to authenticity and integrity in her career.
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