Lana Del Rey: Candid Confessions About Industry Relationships

In a candid revelation, Lana Del Rey, 29, acknowledged having engaged in numerous relationships within the music industry.

Despite her song titled “F—ed My Way Up To The Top” on her latest album, “Ultraviolence,” Del Rey clarified that these encounters did not directly contribute to her professional success.

Del Rey discussed the controversial track during an interview with Complex magazine, emphasizing that its provocative title serves as a playful reference to public perceptions of her.

She expressed, “It's commentary, like, ‘I know what you think of me,' and I'm alluding to that.”

Acknowledging her past involvements with industry figures, Del Rey remarked, “You know, I have slept with a lot of guys in the industry, but none of them helped me get my record deals.

Which is annoying.”

The singer graced the cover of Complex magazine for its August issue, shedding light on her personal experiences and artistic influences.

Known for her emotionally charged lyrics, Del Rey has often incorporated themes of love and passion into her music, garnering mixed reactions from feminist circles.

Revealing her preference for intense, physical connections, Del Rey stated, “I like a hands-on love…

I like a tangible, passionate love.

For me, if it isn't physical, I'm not interested.”

Delving into her creative process, Del Rey shared insights into covering Nina Simone's iconic track, “The Other Woman,” on her album.

She drew parallels between her own relationship dynamics and the narrative depicted in the song, reflecting on her past association with a label executive.

Recalling her seven-year relationship with a music industry figure, Del Rey recounted feeling like a disruptive force in the established individual's routine.

She mused, “The people I was drawn to were already established, but they were probably looking for someone more on their level, age-wise.”

Amidst recent controversies sparked by her candid remarks, including a headline-grabbing statement about wishing for an early demise, Del Rey maintained a defiant stance.

Responding to critics and negative feedback, she asserted, “The good thing about catching so much grief from critics is that you literally do not f—ing care.”

Embracing a pragmatic outlook on her career trajectory, Del Rey emphasized her unwavering commitment to producing exceptional music, regardless of external scrutiny.

She underscored her belief in the enduring quality of her artistry, despite the unpredictable nature of public reception.

In conclusion, Lana Del Rey's unfiltered revelations offer a glimpse into the complexities of navigating personal relationships within the music industry while maintaining artistic integrity and resilience in the face of criticism.